Creon is bound to ideas of good sense, simplicity, and the banal happiness of everyday life. Tragedy is bound to occur when these two vital laws are set against one another, for both sacred law and civil law are necessary for the welfare of the people. Basically, Antigone has nothing to lose.
Go thine own way; myself will bury him. Sophocles and the later philosophers like Plato, however, tried to balance the picture by glorifying human reason as an echo of the reasoning intelligence behind cosmic law.
At times, she even expresses a seeming fervor to die. In Love With Death? Their divine laws are what she holds most sacred: Creon is powerfully built, but a weary and wrinkled man suffering the burdens of rule.
Ultimately she will recant and beg Antigone to allow her to join her in death. He proves by example the will of the gods overrides human law. It will realize itself in spite of its players and all their attempts at intervention.
Antigone is more of a threat than a man would be, for she has the status of a slave in Thebes, and he calls her a slave lines Once Oedipus dies, Antigone has to find someone else to be blindly loyal to pun intended.
There is usually more than one choice available, and the tragic hero makes the wrong choice, as in the case of Creon. An early choral ode praises the wonders of human accomplishment: Her stubborn loyalty becomes her hamartia, her tragic error, and ultimately causes her downfall. Ironically, he also gets Creon to promise to take care of his daughters.
The Greek ideal of sophrosyne, or wisdom, stemmed from self-knowledge. Boy, is Creon wrong. Whereas Ismene is the appropriate, beautiful girl, Antigone curses her girlhood.
Humans could thus modify their own destiny if they were wise. Creon sees her as a rebel, a threat to his power: The government or our families? Her destiny seems more set and less her fault, though she does brings it down on herself by rebelling against Creon.
He will not let partiality or family connections dictate over the good of the city: Family Loyalty The concept of citizenship and the duties that citizens owe to the state were subjects of huge importance and debate in fifth-century B.
His speech offers a meta-theatrical commentary on the nature of tragedy. Haemon wants his father to succeed: A woman should not be seen or heard.
She could have chosen as Ismene did. In the play, Creon has a strict definition of citizenship that calls for the state to come first: Divine Law The play opens with the debate between the sisters Antigone and Ismene about which law comes first—the religious duty of citizens, or the civil duty?
No sooner do they do this than the dust erupts from the earth and blots out the sky. Her comforting presence returns Antigone to her girlhood. Independent prophets called "seers" saw visions of things to come.
Such self-knowledge was supposed to be a lifelong pursuit and would lead to wisdom, balance, harmony, moderation, control, and good judgment.
He says to the city counselors: If he cannot rule his own house, he says, how can he expect to rule Thebes? Throughout the play there are signs in the natural world that the gods are on the side of Antigone. You probably noticed that "loyalty" is a big word when it comes to Antigone.
Intelligence controlled Necessity by persuading it for the most part to bring about the best result, and it was by this subordination of Necessity to Reasonable persuasion that the universe was originally constituted as it is.
Her childhood was spent following Oedipus around.
Could it be that Antigone is a woman-hating woman?Antigone: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
Human Law vs. Divine Law. The play opens with the debate between the sisters. Antigone's divine symbolism is also seen when she is dragged before Creon just after the Chorus's famous "Ode to Man." There's more on this in the Chorus's "Character Analysis," but basically the Chorus has just gotten done singing a song about how awesome man is for conquering nature and how no one should step to our mighty laws.
Antigone, on the other hand, believes that there are unjust laws, and that she has a moral duty to disobey a law that contradicts what she.
To Antigone, these outweigh any human laws. In Antigone, Sophocles explores this tension and seems to suggest—through Antigone's martyrdom, the people's sympathy, and Creon's downfall—that the laws of the state should not contradict natural laws.
A summary of Themes in Jean Anouilh's Antigone.
Learn exactly what happened in this chapter, scene, or section of Antigone and what it means. The Nature of Tragedy. Halfway through the play, the Chorus appears on the scene to announce that the tragedy is on.
Tragedy belongs to an order outside human time and action. It will realize. Antigone - The play's tragic heroine. In the first moments of the play, Antigone is opposed to her radiant sister Ismene. Unlike her beautiful and docile sister, Antigone is sallow, withdrawn, and recalcitrant.
Read an in-depth analysis of Antigone. Creon - Antigone's uncle. Creon is powerfully.Download