Belonging to the Gephyrea. It too, has something of a phallic image. When Truffaut Scarlet letter critical lens Hitchcock if any films had impressed Hitchcock during his years as a young aspiring filmmaker, Hitchcock immediately mentioned Destiny.
The Gothic Gothic style sculptures appear around the pedestal of the outside crucifix in the opening scene, and later on a cabinet at the inn. The cemetery wall and gate, with its high angle, looks like Lethbridge asylum gate in the later film.
The huge clock-like dials in the factory are one set of circles. This wacky, whimsical, and youthful production features live music, and a contemporary twist.
His bed, his lamps, his living room chairs, are all highly geometrized, in the Deco tradition. One who, or that which, desolates or lays waste. The bell with its circular mouth, and spherical clapper. There are fewer human deaths than in many films, and those that occur are treated far more seriously.
One versed in geodesy. Death in Destiny is such a distinctive character, that it is hard to find analogues of him in other Lang films.
There are other shots in Lang showing this sort of overhead, 45 degree looking downward on a maze. Relating to agriculture and rural affairs.
Most of the interest in Lang on the Internet, for example, is centered around this work. The Golden Sea, and the Persian episode of Destiny. This is not at all self indulgence: The restaurant in The Blue Gardenia.
This links himself and his friends at the Pontoon Club with the brokers at the Stock Exchange. The clock at the Pontoon Club is ornate, suggesting wealth.
Eight actors take on multiple roles, as the lines between worlds, characters, actors and audience begin to blur. The Spiders leave a calling card behind: But the Scotland Yard inspector in Ministry of Fear comes close. Exploring themes of power, politics, and propaganda, this frightening fairytale feels ripped from the headlines.
We see more than one section of the elevator at once.
In both, there is much giant statuary around, and attendants wearing costumes that suggest pagan, barbarian splendor. In a dentate or toothed manner; as, dentately ciliated, etc. They are full of 3D geometric forms, that in general terms recall the Constructivist costumes in Aelita. She wore good shoes.
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