Sophocles, as much as he wants to be objective, sides with Antigone, I think. Characters[ edit ] Antigonecompared to her beautiful and docile sister, is portrayed as a heroine who recognizes her familial duty.
He understands that his own actions have caused these events and blames himself. Historical context[ edit ] Antigone was written at a time of national fervor. In June and July,88 essays were available on Antigone at this website, over a third at the red level for free viewing.
Should Polyneices, who committed a serious crime that threatened the city, be given burial rituals, or should his body be left unburied as prey for scavenging animals? The whole business of "tragic flaws" is something that English and Drama teachers have got hold of from some book they read when they were students - no one these days who has actually studied Greek tragedy believes there is any such thing.
No, he was quite justified in his rage at Creon and Tiresias, having good reasons to suspect them of plotting against him Could it have been his murderous temperament, in killing an old man in a chariot?
He has to look like a strong, unyielding leader, which is a problem. Zeus is referenced a total of 13 times by name in the entire play, and Apollo is referenced only as a personification of prophecy. Oedipus is the prototypical tragic hero, according to Aristotle in The Poetics.
He does this in order to save Athens from the moral destruction which seems imminent. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose.
Proved to be more reasonable than Creon, he attempts to reason with his father for the sake of Antigone. Antigone, however, possesses all the aspects of a tragic hero.
Portrayed as wise and full of reason, Tiresias attempts to warn Creon of his foolishness and tells him the gods are angry.
This lack of mention portrays the tragic events that occur as the result of human error, and not divine intervention. If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Unfortunately, many of these listings are duplicates, and even some of the essays are virtually the same essay but with different titles.
Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry.
He is here warned that it is, but he defends it and insults the prophet of the Gods. In this play, Creon is not presented as a monster, but as a leader who is doing what he considers right and justified by the state.
However, when Creon refuses to listen to him, Haemon leaves angrily and shouts he will never see him again. Herodotus discussed how members of each city would collect their own dead after a large battle to bury them.
In the opening of the play, Antigone brings Ismene outside the palace gates late at night for a secret meeting: It is obvious that she had the pity of the entire city except for Creon. All of Greece will despise Creon, and the sacrificial offerings of Thebes will not be accepted by the gods.
This aspect also emerges later in the play, when Antigone decides to kill herself in the cave rather than give Creon the satisfaction of the deed. He manages to convince Creon, but is too late to save the impetuous Antigone.
On the other hand, Creon is too malevolent to be a "tragic hero" in the Aristotelian sense of a good person who suffers a downfall due to pride and recognizes their error. Conductors may of course be instruments as well as victims of the divine lightning.
The authentic Greek definition of humankind is the one who is strangest of all. Do you worry about tragic flaws when you see a movie? She hesitates to bury Polyneices because she fears Creon.
A strong leader would also be able to recognize his faults, but not Creon. Death is also a deciding factor. More often then not that tragic flaw is excessive pride, hubris.
When talking to Haemon, Creon demands of him not only obedience as a citizen, but also as a son. In prohibiting the people of Thebes from burying Polyneices, Creon is essentially placing him on the level of the other attackers—the foreign Argives.
Antigone, however, possesses all the aspects of a tragic hero. It is not until the interview with Tiresias that Creon transgresses and is guilty of sin.Antigone or Creon as the Tragic Hero in Antigone Essay Words 4 Pages A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall.
Antigone is a tragedy by Sophocles written in or before BC. It is the third of the three Theban plays chronologically, but was the first written. The play expands on the Theban legend that predated it and picks up where Aeschylus' Seven Against Thebes ends.
- Creon as Tragic Hero of Sophocles' Antigone There has always been a bit of confusion as to the tragic hero of the Greek Drama Antigone. Many assume that simply because the play is named for Antigone, that she is the tragic hero.
However, evidence supports that Creon, and not Antigone, is the tragic hero of the play. Antigone as a Tragic Hero Essay Words | 2 Pages. Antigone as a tragic hero The debate over who is the tragic hero in Antigone is unanswered.
The belief that Antigone is the hero is a tough one. Antigone is widely thought of as the tragic hero of the play bearing her name. Antigone: The True Tragic Hero in Sophocles” Antigone In Sophocles” Antigone, the question of who the tragic hero really is, has been a subject of debate for a great number years.
Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role. Antigone, however, possesses all. Antigone is widely thought of as the tragic hero of the play bearing her name.
She would seem to fit the part * The True Tragic Hero in Sophocles' Antigone out of 5 Votes: 6, No comments yet * Theme in Antigone and adds other aspects of heroism, e.g. suffering hardship.Download